By Anthony Burgess
A novel as really good, transgressive, and influential as whilst it used to be released fifty years ago.
A nightmare imaginative and prescient of the longer term informed in its personal superbly creative lexicon, A Clockwork Orange surprised readers on its e-book in 1962. It has considering the fact that turn into a vintage of dystopian literature and the foundation for Stanley Kubrick’s as soon as banned movie, whose fresh Blu-Ray DVD reissue has introduced this innovative story on sleek civilization to an excellent wider viewers. This fiftieth anniversary variation of the radical is released with the unique British cover.
A vicious fifteen-year-old "droog" is the valuable personality of this 1963 vintage, whose stark terror used to be captured in Stanley Kubrick's fabulous movie of a similar name. In Anthony Burgess's nightmare imaginative and prescient of the destiny, the place criminals take over after darkish, the tale is informed through the relevant personality, Alex, who talks in a brutal invented slang that brilliantly renders his and his friends' social pathology.
A Clockwork Orange is a daunting delusion approximately strong and evil, and the which means of human freedom. while the nation undertakes to reform Alex — to "redeem" him — the unconventional asks, "At what cost?"
This variation contains the arguable final bankruptcy no longer released within the first variation and Burgess's advent "A Clockwork Orange Resucked."
First released 1962
A terrifying and incredible book.
— Roald Dahl
I don't know of the other author who has performed as a lot with language as Mr. Burgess has performed here—the incontrovertible fact that this is often additionally a truly humorous publication might cross unnoticed.
— William S. Burroughs
“A fantastic novel . . . a savage satire at the distortions of the only and collective minds.”
— big apple Times
“Anthony Burgess has written what seems like a foul little shocker, yet is actually that infrequent factor in English letters: a philosophical novel.”
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Additional resources for A Clockwork Orange
The way he slowly raised his machine pistol was a taunt. Marlowe didn't hesitate— and found it surprisingly easy. The bullet took the spook cleanly between the eyes. Blood and brains spattered Christine's body as he fell back on top of her. The other two twitched but didn't follow through. Marlowe must have struck them as considerably more determined than he felt. " There were no more takers. Carmila had lowered the strangled spook to the ground and was slipping the noose out of the deep fold that it had cut into his neck.
Carmila rolled over and shook her head. "I try to eat as little as possible. " "Marlowe, why don't you go to the kitchen. Just ask and it will do what it can. " "You keep the whole place on-line, even when you're not here. " "Yes, but we can afford it. " "You go up the marble stairs, along the kinetic tunnel, make a right, down the corridor and second left. " The kitchen was larger than Marlowe's apartment and more than a little intimidating. With its gleaming chrome, steel, and black glass, it looked more suited to surgical procedure or space battle than to the preparation of food.
Vampires were coming out from all over. There were a lot of them. Lit from behind by headlamps, the leaders cast long, dramatic shadows. Marlowe didn't even bother to fire. It was now just a matter of how many he got before they got him. Vampire vengeance contained a good measure of Russian roulette. Marlowe thought about shooting himself, but he just couldn't do it. Suddenly, there was a scream of tires from one of the exits. It was the Buick, running backward at high speed. It broke through the line of vampires, scattering them left and right, and screamed up beside Marlowe.