By Joanna Grabski, Carol Magee
Joanna Grabski and Carol Magee collect a compelling assortment that indicates how interviews can be utilized to generate new that means and the way connecting with artists and their paintings can rework inventive construction into cutting edge severe insights and information. The members to this quantity contain artists, museum curators, artwork historians, and anthropologists, who handle inventive creation in various destinations and media to query prior makes use of of interview and impress replacement understandings of art.
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Additional resources for African Art, Interviews, Narratives: Bodies of Knowledge at Work
D. , Indiana University, 2008. McNaughton, Patrick R. A Bird Dance near Saturday City: Sidi Ballo and the Art of West African Masquerade. Bloomington: Indiana University Press, 2008. ———. The Mande Blacksmiths: Knowledge, Power, and Art in West Africa. Bloomington: Indiana University Press, 1988. ———. Secret Sculptures of Komo: Art and Power in Bamana (Bambara) Initiation Associations. Philadelphia: Institute for the Study of Human Issues, 1979. 2 Ghostly Stories Interviews with Artists in Dakar and the Productive Space around Absence Joanna Grabski Do we cite merely to repeat the words of the other, or do we do so in order to enact or reenact an inimitable gesture, a singular way of thinking, a unique manner of speaking?
But the statement gives a strong indication of the potency ascribed to the sorcery side of Mande performance, which is embedded across a range of art from professional bards and semi-professional drum and balaphon orchestras to sculpture and masquerades both public and private. Sorcery and the herbal medicine upon which it is based are prominent features of Mande cultural landscapes. They are elaborated into very complicated systems that tap into virtually every aspect of being human and being part of a social environment.
Ukadike, N. Frank. ” Transition 78 (1999): 136–153. 3 Can the Artist Speak?